"Whipstriker – Rawhide – Panzerbastard ‘RawPanzerStrike’ limited edition tour 7″ out now from Devil’s Grip Records
Available now from DEVIL’S GRIP Records (Sweden), US distribution through PATAC.
Three continents join forces for one motorpunk assault. Limited edition release for the September 2015 ‘RawPanzerStrike’ USA tour, limited to 500 copies. Whipstriker (Brazil), Rawhide (Sweden/members of BESTIAL MOCKERY & KILL) & Panzerbastard each provide an unreleased track.
Essential listening for all motor-headbangers.
Rawhide: Nothing To Lose
Panzerbastard: The Devil Wins Every Time
for additional ordering info/wholesale: email dan (at) patacrecords (dot) com
US orders: http://www.patacrecords.com/distro/Whipstriker-Rawhide-Panzerbastard-Tour-7-vinyl-EP
European orders: https://www.facebook.com/devilgrip/
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"Kentucky heavy metal punks THE HOOKERS & Sweden’s RAWHIDE square off on a new split 7″, NOW SHIPPING!
Louisville punk metal heavyweights THE HOOKERS square off against Sweden’s death punk n roll titans RAWHIDE.
A1 Grind Your Bones To Dust
A2 Necrophilia (GBH)
B1 Tear It Down
B2 The Strangler
Total of 600 copies pressed.
125 on red vinyl, 475 on black vinyl.
Co-Released by Little T&A Records, Totem Cat, Bat Taco Records & Devil’s Grip Records
Limited quantities are available here from PATAC RECORDS, click here to order.
"RAWHIDE, PANZERBASTARD & WHIPSTRIKER team up for the RawPanzerStrike 2015 Tour!
2015 US tour
Sept 7 – Chicago, IL w/Deathhammer (Official)
Sept 8 – St Louis, MO
Sept 9 – Memphis, TN w/Special Victims Unit (SVU)
Sept 10 – Dallas, TX
Sept 11 – San Antonio, TX w/Ass/Hellknife
Sept 12 – Houston, TX
Sept 13 – New Orleans, LA
Sept 14 – Atlanta, GA w/Homicidal
Sept 15 – Detroit w/ Savage Master/Seax
Sept 16 – Buffalo, NY w/Savage Master//Rotten UK:
Sept 17 – Pittsburgh, PA w/Savage Master/Seax
Sept 18 – Hyattsville, MD w/Savage Master/Seax
Sept 19 – Worcester, MA w/Seax:
Sept 20 – New York, NY:
"FISTULA announces October 2015 East Coast shows
FISTULA will be hitting the road for four select East Coast shows to introduce tracks from the two LPs ‘Longing For Infection‘ and ‘The Shape Of Doom To Cum‘ set to be released during the Spring of 2016. OG member Bahb Branca has returned to the fold adding a second guitar to the onslaught.
Friday – 10/09/15 – Baltimore, MD @ THE SIDEBAR
FISTULA, FOEHAMMER, LORD, & MUSKET HAWK
Facebook event page: https://www.facebook.com/events/929910260381216/
Saturday – 10/10/15 – Scranton, PA @ IRISH WOLF PUB
FISTULA, EARTH MOUTH, MANIACAL DEVICE, DRACONIAN PERDITION, INCEST BURNER & BRAINLORD
Facebook event page: https://www.facebook.com/events/458281737678585/
Sunday – 10/11/15 – Brooklyn, NY @ THE OMEGA ORDER Warehouse
FISTULA, SET & MORE TBA
Facebook event page: https://www.facebook.com/events/1507194669572516/
Monday – 10/12/15 – Allston, MA @ O’BRIENS PUB
FISTULA, RAMLORD, DUTCHGUTS, LUNGLUST & LEATHER LUNG
Facebook event page: https://www.facebook.com/events/655255424576668/
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"HELLBASTARD – Feral CD OUT NOW on PATAC! Embossed Digipak with bonus track!
Order HELLBASTARD – Feral HERE FROM PATAC
Think you know HELLBASTARD? You know nothing, as Feral has just rewritten the band in vivid shades of scarlet and gold. The tranquil intro piece, “In Praise Of Bast,” featuring the keyboard skills of Andy “A-. Droid” Wiggins (ex-Amebix), lulls the listener into a deliciously false sense of security, because seconds after its final note fades into memory, the album’s title track hurtles in with all the subtlety of a muddy jack boot to the head, HELLBASTARD‘s patented metallic riffage in full effect, Scruff howling, “My father was a wolf… my mother was a witch…!”
It becomes immediately apparent that this is unlike any other modern crossover album. This is primal, back-to-nature shit; a tsunami of raw emotion made sound that demands everything of the listener, no half measures. Not ever. You have to give yourself to the flow completely, or not at all, but the reward for such fearless trust in others is great indeed. An adrenaline shot of pure punk energy, for starters, all filtered through with some of thrash metal’s intricacies – but thankfully none of its overblown ego. And there is melody to be had here too, but you have to dig deep, claw through the wreckage and get your hands bloodied; subtle harmonies in the guitar interplays and peaceful interludes where you can rest a while between the harrowing heaviness of most of the material. Because honesty is always harrowing, isn’t it? And this is so honest, so utterly uncompromising in its pure existentialism, it will shake you to your core. As the album title suggests, this is a force of nature that refuses to be tamed, and will sweep everything before it asunder, rending it apart with its violent rhythmic contortions. A social hand grenade jammed in your teeth, literally blowing your skull apart with endless possibilities.
As well as A. Droid’s tinkering of the ivories, HELLBASTARD‘s Feral also includes guest appearances from Rob “The Baron” Miller (also ex-Amebix… indeed, the love of all things Amebix permeates every note and beat of this album) on “Wychcraft” and Mr. Heavy Metal himself, Andy Sneap (ex-Sabbat/Hell) on “And The Point Of Your Being Is….?” ButFeral is not about individual performances, or indeed individual songs. It’s about reconnecting with that vital spark in your soul that has been dulled by the technological trappings of modern society. It’s a journey back to the earth, back to yourself, a metallic liturgy to personal freedom and self-expression, a call to the wild that cannot be ignored. Immerse yourself in the chaos and be reborn. — Ian Glasper/Terrorizer
Check out the Feral track teaser along with the official video for the three-part “We Are Coven” video currently streaming at Decibel at THIS LOCATION.
Feral Track Listing:
1. In Praise Of Bast – Feral (featuring Andy “A. Droid” Wiggins)
2. Outsider Of The Year
3. We Are Coven
A. …For All Crippled Woods
B. …I Spit You Poison
C….Let Them Blast Their Brains
4. Shame On Us
5. And The Point Of Your Being Is…? (featuring Andy Sneap)
6. Wychcraft (featuring Rob “The Barron” Miller)
7. Social Hand Grenade
9. Engineering Human Consciousness… II
10. All Our Sorrows
Formed in 1985 in the North East of England in the midst of Thatcherism, HELLBASTARD set out to play what they wanted to listen to themselves…. too “metal” for the punks and too “punk” for the metallers the band went on hiatus in 1992 before officially reuniting in 2008 and continue to bring a relevant lyric and sound to counteract against, mediocre sub-standard radio friendly, safety-rock.
Feral was tracked at the prestigious Hellfire Recording Studios (Slayer, Motörhead, Orange Goblin, Napalm Death etc.) in Derbyshire, engineered, recorded, produced and mixed by Ajeet Gill (Warlock UK, Slab, I Am Colossus, etc) and will be officially unleashed worldwide on July 17th 2015 on CD and digitally via PATAC Records with exclusive distribution byIndependent Label Distribution. The first CD pressing will include a bonus track (not available on digital download or the upcoming 2016 vinyl edition) as well as an eight-page booklet and embossed digipack packaging.
“As ever, the legendary punk-thrashers, led by founder-member guitarist/vocalist Scruff, have poured into this album a massive amount of passion, sadness, anger and sincerity: the work sways from incandescent, bone-crushing, proper (and I mean proper – proper – proper!) thrash to heart-breaking, bleak ambience magnificence…” – 3rdEye.com
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"SET – Valley Of The Stone vinyl LPs now distributed through PATAC!
Recently Worcester, MA based riff-dealers SET sent me a copy of their ‘Valley Of The Stone’ LP and ‘Modern Slavery/Northern Front’ demo CDr. Holy shit this band is fucking heavy. A perfect molotov cocktail of doom, sludge and elements of NWOBHM… this band is only going to get better with time too… the new demo kicks some unprecedented amount of ass. Be sure to pick up this LP to hear where it all starts. For those PATAC diehards, you may recognize their new vocalist Dave Shay from FAST DEATH on the newer recordings.
Order the LP HERE from PATAC RECORDS, if you run a store or distro and would like to order some wholesale copies, shoot me an email: dan (at) patacrecords (dot) com
I’ve snagged this excellent review from JJ Koczan from THE OBELISK.
“Massachusetts-based metallers SET reside somewhere between the seemingly disparate sides vibes of thrash, stoner and doom, but from the bombastic groove of opener “Dicing with Death,” which launches their Valley of the Stone 2013 debut LP, self-released digitally and on vinyl, they’re immediately difficult to place in one or the other. Granted, the Worcester four-piece can’t play in two speeds at the same time, so it winds up being tradeoffs between fast and slow, extreme and nodding, but still, what’s most successful about the two-sided eight-track release is how much it seems to pull its elements together as a cohesive whole, cuts like the aforementioned “Dicing with Death,” or side A’s closer “The Eagle” pushing forward with breakneck weight and speed while “Magnum Opus” plods a smokier course and “Wolves behind the Sheep” works to bring the various sides to bear in one of Valley of the Stone‘s most engrossing rolls.
As a standout with a particularly killer hook, “Wolves behind the Sheep” serves to represent the stylistic breadth of the band well, blasting one second and swinging hard the next. I’ve had the advantage at this point of seeing SET play live three times now (reviews here, here and here), and seeing the fluidity drummer Tim brings to his tempo changes on stage only affirms what comes across on Valley of the Stone in that he does well in holding these songs together. That’s true throughout the album, as bassist/vocalist Andy, guitarist/backing vocalist Jeff and guitarist/vocalist Dan run off in one direction or another, telling stories of souls lost and various horrors inflicted on the unsuspecting, as much Slayer and S.O.D. as Sleep and Trouble. Their identity as they present it here is what gets carved out of the influences, something as threatening atmospherically as it is outwardly aggressive, “The Eagle” rounding out side A with its brashest vibe yet, dense low end underscoring a barrage of riffs and crash that drives through a metallic apex and into a finale of dizzying turns.
It’s fucking heavy, and I don’t think SET would have it any other way. The plot thickens on side B, though, with the creepy lead guitar on the title-track giving way to a full-on grindout followed by noise rock rumble-and-shout, the band’s command unwavering as they nod at Crowbar‘s sludge en route to the next round of swinging pummel and the Dopefight-style stoner punk of “Apophis,” catchy but less nuanced than “Valley of the Stone” or “Children of the Doomed,” which serves as the apex of the album, Jeff and Dan coming together to add a rush of lead lines to the hook. Since, like “Wolves behind the Sheep,” it’s the penultimate cut on its side, there’s an element of symmetry at work in Valley of the Stone‘s structure as well, but the more satisfying thing is the actual song, which hits the blend of extremity and groove just right and shows what SET are able to do at their best. The closer, “Sacred Moon Cult” is rightly saved for last and is probably the only track that wouldn’t be a comedown after “Children of the Doomed,” but its chorus feels like it’s taking a shortcut to righteousness, as opposed to the frenetic rawness of “Children of the Doomed,” which punches through a wall rather than going around it.
Maybe at that point it’s splitting hairs, but either way, by then SET have shown their ability to cull something individual out of familiar elements, and there’s nothing more one could reasonably ask of their debut than that, though in that regard it’s worth pointing out that the vinyl version of Valley of the Stone, with its two-sided liner and dead-on black-and-white artwork makes for no less accomplishment of presentation. Some bands figure it out late, some bands figure it out early. SET would seem to be in the latter category if the debut is anything to go by, and with a sound so varied, they still have plenty to work from in terms of creative progress without much fear of stagnating anytime soon.”
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